Here’s the Best André 3000 Verse Every Year Since 1994

Southernplayalisticadillacmuzik-era André 3000 was raw. Stacks had yet to reach his ceiling lyrically on OutKast’s debut album but still showed an understanding of his craft. On the motivational cut “Git Up, Git Out,” the most poignant verse of his young career, ‘Dré draws on his life experiences to prove the South got something to say.

The ability to perfectly purvey introspection is one of Benjamin’s many glowing attributes and often-used cheat codes. The openhearted Goodie Mob track “Thought Process” is another early example of the Atlanta rhymer showing an uncanny candor and the standout offering of his sophomore season. The 16 was also harbinger of things to come, as ‘Dré references two tracks on the then upcoming ATLiens album: “13 Floor” and “Elevators.”

On ATLiens, Three Stacks was finding his otherworldly flow, as he showed growth on the quasi-concept project that features standout verses on songs like “ATLiens,” “Babylon” and “Wheels of Steel.” However, he leaves Earth on the project’s lead single. His closing verse is as important a 16 in the rapper’s legacy as any, with Dré showing true progress as a wordsmith and narrator while remaining a man of the people.

In 1997, OutKast was featured on the Nothing to Lose soundtrack, on a slept-on cut titled “Everlasting.” André bats first and comes correct with a serious 16, displaying above-average wordplay punctuated with an effective monotone delivery.

On the first of what has been four installments to date, André 3K introduces us to the tantalizing and sobering tale of Sasha Thumper. The vivid telling is yet another expert narrative that is one of the most remarkable renderings of ‘Dré’s career.

With no album in 1999, ‘Kast played the feature circuit and secured a banger on the Mystikal single “Neck Uv Da Woods.” 3000 eats the pulsating production with a well-paced verbal presentation that serves as his most notable offering of the year.

Another album, another creative concept. André is still snapping. Partially sung—an approach that would become a staple in 3000’s repertoire—he flawlessly delivers the relatable and time-tested verse that features the “forever, ever” line that has become part of the hip-hop lexicon.

By 2001, the entire planet knew about the Mighty O. Their greatest hits album, Big Boi and Dre Present…OutKast, dropped that same year, featuring a new track called “The Whole World” that contains one of the all-time best Three Stacks raps. The verse contains the comedic wit to which fans have now become accustomed. The track earned a 2002 Grammy for Best Rap Performance by a Duo or Group.

2002 was not an active year for the flute-playing lyricist. OutKast landed a spot on the Scooby Doo soundtrack and Dré provided the beat and bridge for the movie-themed offering “Land of a Million Drums” with Killer Mike and Sleepy Brown.

The Love Below is mostly filled with love ballads and synthy soul cuts. On the final track, however, Three Bands returns to his roots. “A Life in the Day of Benjamin André (Incomplete)” is a masterpiece of narrative prose, finding the rapper dwelling on OutKast’s beginnings and his past romance with Erykah Badu. With no chorus, the five-minute verse is even more of an impressive outing that deserves its day in the sun.

André 3000 rings the alarm on the Sleepy Brown track “I Can’t Wait” with slick bars, Southern charm and a nod to the infamous lawsuit over OutKast’s “Rosa Parks” by the song’s namesake. His delivery is effortless. The result is another body-bagged verse from the do-it-all MC.

Benjamin André took it easy in 2005, offering up no rap verses for the calendar year. But he did make a noteworthy cameo on Easthero’s “Junglebook. He belts out a soulful bridge on the impassioned cut.

André flexes his muscle on the OutKast track “The Mighty O,” which is featured on the Idlewild soundtrack. Almighty A wreaks havoc on the busy track that serves as the top of his 2006 totem pole, edging out his contributions to Idlewild‘s “Hollywood Divorce” and Rich Boy’s “Throw Some D’s (Remix).”

Sorry, “International Players Anthem.” 3K’s well-known verse from UGK’s 2007 classic is not his best of that year. Honorable mention also goes out to remixes of DJ Unk’s “Walk It Out” and Lloyd’s “You.” However, André 3000’s strongest verse of 2007 goes to the fourth installment of OutKast’s “Storytellin’,” series, on which he straight blacks out over triumphant horns, offering vivid storytelling and dropping wisdom on your head top. Vibes unmatched.

Ten years after collaborating on “Skew It on the Bar-B,” OutKast reunites with Raekwon for the track “Royal Flush.” André closes the track out with a multi-layered soliloquy that outshines his noteworthy verses on John Legend’s “Green Light” and Fonworth Bentley’s “Everybody” from the same year. The song earned a Grammy nomination for Best Rap Performance by a Duo or Group.

The dawn of the decade featured Chris Brown nabbing three of the biggest names in rap for his “Deuces (Remix).” Again, André showed why he chooses quality over quantity, with an exquisitely paced verse that checks off all the boxes.

André 3000 goes head to head with another lyrical beast in Tech N9ne on Lil Wayne’s Tha Carter IV cut “Interlude.” The lyrical dexterity shown by 3000 is not even fair as he puts on a show that had people bringing up possible G.O.A.T. status.

In 2012, André 3000 was reaching god level on the features: T.I.’s “I’m Sorry,” Jeezy’s “I Do” and Frank Ocean’s “Pink Matter” were among the tracks Benjamin straight flamed. Yet his contribution to Rick Ross’ “Sixteen” might be his Thanos moment. With much more than 16 bars to play with (see what they did there), André really puts on a free clinic on how to rap, with stank face inducing lines and plenty of “How he still so good? moments.

With no rap verses to speak of in 2013, André contributed a syrupy addition to the Beyoncé song “Back to Black” from The Great Gatsby soundtrack.

Three Stacks spent time doing a lot of things in 2014 that weren’t making music. However, he showed up for Future with some straight fire on the Free Bandz rapper’s sophomore album, Honest, which blazed the brightest that year.

André 3000 is a third-degree black belt in rapping about relationships and interactions with the opposite sex. But his love lines hit different on this standout contribution from 2015, featured on Erykah Badu’s mixtape, But You Cain’t Use My Phone.

Frank Ocean gifted the reclusive 3000 with his own track on the 2016 album Blond. 3000 pays him back with his finest verse of the year, tapping into yet another one of his many unorthodox flows on the rambling yet satiating presentation.

Dré puts on a verbal Powerpoint presentation on how to ride an unconventional track, tapping into a different mode on the N.E.R.D. gem “Rolliem 7s.” Take notes.

Another low-key year musically for André means slim pickings, but James Blake debuted a new track with the rapper late in the year that fit the bill. With a bit of an old André feel, the verse is rough, rugged and raw.

Dre never fails to impress and only appears to be getting better. On Anderson .Paak’s 2019 track “Come Home” from the rap-crooner’s Ventura album, 3K blacks out over the refreshing .Paak and Jairus “J. Mo” Mozee-produced track in a master class of breath control.

Dre joined forces with Goodie Mob in 2020 for the group’s comeback album Survival Kit. 3 Stack’s elite storytelling skills make an appearance, with the rapper weaving a striking narrative.

André 3000 used his rare rap appearance in 2021 to make a cameo on Kanye West’s Donda album, via the song “Life of the Party.” 3000 offers a sparkling sentimental verse, which serves as an open letter to Ye’s late mother Donda.